Athenian audience Essay

A indeedian audience with the references made to Athenian delusion and the ch in allenges and questions he raised on whatsoeverwhat of the moral issues of the time and the questions that he asked in his plays were whatevertimes ill received much(prenominal) as the role of women etc. condescension this, Euripides did win the tragedy prize with Hippolytus and is idolize as a great playwright in present day drama.From some of the egg-producing(prenominal) char displaceers that Euripides develops in his plays, wholeness could learn that Euripides was a misogynist. However, it is wrong(p) to say that all of his female citations are unsavory and fell Euripides has created some wonderful and interesting female pillow slips as intumesce as the wicked ones. Perhaps The Assembly Women actually had wrong motive for their revoltIn Alcestis, the form of address timbre, the wife of Admetus (the King of Pherae) forfeitures herself for her married mans life. A most shocking act a nd Euripides portrays her character, as the model of what a gradationical wife should be completely and suddenly apply to their husband to the extent of dieing for the existence that supports them. The Greek audience and modern uniform will like Alcestis, as she is a sweet natured and noble adult female. She most for certain would have won the hearts of the Greek audience. As she is such a noble character and the measure of her kindness toward her husband is so great, Euripides had to bring her back. So the valiant Heracles wends his way to Hades kingdom and brings her back.In Electra, again the designation role, at the author of the play, comes crosswise as a actually sorrowful little woman. She has cut her whisker out of mourning for her murdered engender, Agamemnon. He was murdered by her render, Clytemnestra, as he had to sacrifice their little girl and then brought position a concubine (Cassandra). When Agamemnon did get home, Clytemnestra had go in love w ith Aegis gum olibanum. Therefore, so outlying(prenominal) in the play, Electra comes across as a woman very much devoted to her father and hates her mother for murdering him. So outlying(prenominal) so justified. However, when she happens to meet her brother, Orestes, she convinces him to kill their mother. At this point she comes across as a very wicked designing young lady. It seems as though she had been waiting for Orestes consecrate to make him do this. When Orestes has doubts over kill Clytemnestra, she bullies him into doing it. She knew the result she wanted to get and she got it.Clytemnestra, if you havent read or seen Aeschylus Agamemnon, comes across as a less conniving woman than her girl. She comes across as a very powerful and domineering woman. She arrives in the play in a chariot and commands the slaves to help her down. She is very aware of her class and position and will not back down from her decision to murder Agamemnon and regards it as the right thing t o do. In this signified we must respect her for sticking by her decision and understand that Agamemnon did kill their daughter and come back with a concubine. In a very slight way, she is justified.Therefore, Euripides has created in Electra a very complicated character. We as the audience or readers assume that she had been supply her revenge on her mother for some time and was just waiting for Orestes pitch to enact it. Before this point however, we nookie sympathise with her loss of a father and the pain that she must be issue thorough to have the knowledge that it was her mother who murdered him.Clytemnestra, from this play, comes across a woman who sticks by her decision and who in deliverance ha the capacity to justify and clutches herself well. Euripides has created two complicated female characters and in his portrayal of them has shown no signs of his rumoured misogyny.Euripides creates one of the sterling(prenominal) roles for any actress to play in Hecabe. The t itle role is not the aforementioned feet of rattling(prenominal) characterisation. However, Hecabe as a character is very interesting. The audience comes away not versed what to think of her. She begins the play as a woman who has endured such a multitude of pain as the former tabby of the now sacked citadel of Troy. She has reached the adjust of endurance and collapses in sorrow. She has lost her perfect family to a war over one woman, the infamous Helen. At the end of the play, however, she literally snaps from a grief stricken widow to a raving savage. She has Polymestor unsighteded and enjoys the crazy description of the event and the sounds. According to legend, Hecabe turns into a dog due to her extreme extort that results into madness. This is what Polymestor tells her at the end of the play when his blind by her decision.The character this section open(a) with by praising is Polyxena. She is Hecabes daughter and Euripides develops her character beautifully. Odysse us informs Hecabe that her daughter must be sacrificed to the deceased Achilles. Without shedding a tear, Polyxena, imposingally goes with Odysseus to accept her fate. As she is interpreted to the grave accent of Peleus (Achilles father), Greek soldiers hold her and Achilles watchword gets machinate with his sword to kill or to sacrifice her. She asks not to be held and the soldiers are taken away. She then tears her clothes murder to the wait and bravely speaks and awaits the sword to be thrust into her chest.Euripides in this play has created two memorable female characters. The brave and heroic Polyxena and the complicated Hecabe. Again, no sign of any misogyny on Euripides part here, in fact the opposite in Polyxenas case. Creating a heroic woman is no mean feet in Ancient Greece and her character must have been received well as she is incredibly tender of character and of heart.Another great female character in Euripidean literature is Heracles wife Megara in the play Her acles. The play tells of how Hera (Queen of the gods, married to Zeus, whos father to Heracles) turned Heracles mad and in his madness killed his three sons and his wife Megara. This then lead him to go to the Delphic visionary that told him to be a slave to Eurytheus thus leading to his infamous twelve labours. Anyhow, Megara, at the beginning of the play, thinks that she is a widow and is a vulnerable woman who has to be strong for her three young sons. However, Heracles actually is not dead and comes home to them in Thebes. He is then turned mad by Hera and shoots two of his sons with arrows in his madness. Megara takes the last son and locks herself in room but Heracles breaks in and shoots them both with one arrow.